Saturday, September 7, 2013

Camille Paglia : “Todays singers are simply aping feeble imitations of Madonna at 10th removed"

Billy Riegelmann August 28, 2013

Camille Paglia, who many years ago dubbed Madonna “The Future of Feminists” continues to celebrate Madonna’s impact on the entertainment world by comparing age of Madonna’s reign to the dismal pop acts that have become mainstream – most notably comparing the controversy over Miley Cyrus’s MTV Video Music Award performance.

The Cyrus fiasco, however, is symptomatic of the still heavy influence of Madonna, who sprang to world fame in the 1980s with sophisticated videos that were suffused with a daring European art-film eroticism and that were arguably among the best artworks of the decade. Madonna’s provocations were smolderingly sexy because she had a good Catholic girl’s keen sense of transgression. Subversion requires limits to violate.

Young performers will probably never equal or surpass the genuine shocks delivered by the young Madonna, as when she sensually rolled around in a lacy wedding dress and thumped her chest with the mic while singing “Like a Virgin” at the first MTV awards show in 1984. Her influence was massive and profound, on a global scale

But more important, Madonna, a trained modern dancer, was originally inspired by work of tremendous quality — above all, Marlene Dietrich’s glamorous movie roles as a bisexual blond dominatrix and Bob Fosse’s stunningly forceful strip-club choreography for the 1972 film Cabaret, set in decadent Weimar-era Berlin. Today’s aspiring singers, teethed on frenetically edited small-screen videos, rarely have direct contact with those superb precursors and are simply aping feeble imitations of Madonna at 10th remove.

You can read Paglia’s full article at

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